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Search criteria: Keywords = "18th Century"

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Boswell, Boswell's London Journal 1762 - 1763. Boswell, James. Boswell's London Journal 1762 - 1763. As first published in 1950 from the original MSS. Prepared for the press, with introduction and notes, by Frederick A. Pottle, Sterling Professor of English, Yale University. London, The Reprint Society London, 1952. 13.5 cm x 20 cm. XII, 360 pages, including maps. Original Hardcover. Very good condition with minor signs of external wear. Slight browning of the pages. Clean inside. Solid binding.

Includes for example the following essays: Publishers' Note / Introduction by Frederick A. Pottle / Text of Boswell's London Journal 1762 - 1763 / Appendix I / Appendix II / Index.

"The Boswell Papers are the largest and most important find of English literary manuscripts ever made. They not only enormously enrich our knowledge of James Boswell, but also add much about Johnson and his circle, about Boswell's other contemporaries, and about life and events in the whole second half of the eighteenth century." (Publisher's Note)

Keywords: 1761, 18th Century, 1950s, English Literary, Journal, London, Manuscripts, Map of London

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35,--  Order
View of the Black Rocks, New Town Bourn, Bray Head &c. in Ireland. Bray Head - Anonymus. View of the Black Rocks, New Town Bourn, Bray Head &c. in Ireland. c. 1780. Original copper engraving. 16 cm high x 20 cm wide. Unusually excellent condition. Mounted. Beautiful early engraving. Rare !

Bray Head (Irish: Ceann Bhré) is a 241 m (791 ft) hill and headland located in northern County Wicklow, Ireland, between the towns of Bray and Greystones. It forms part of the Wicklow Mountains and is a popular spot with hillwalkers. (Wikipedia)

Keywords: 18.Jahrhundert, 18th Century, Bray, Bray Head, Copper Engraving, County Wicklow, Ireland, Irish Art, Irish History, Irish Original Art, Irish Original Engraving, Original Engraving

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180,--  Order
Caesar, [De Bello Gallico] Caesar, Julius. [De Bello Gallico] C. Julii Caesaris Quae Extant Omnia. Ex Recensione Joannis Davisii, Coll. regin. Cantab. Socii, cum Ejusdem Animadversionibus ac Notis Pet. Ciacconii, Fr. Hotomanni, Joan. Brantii, Dionys Vossii et aliorum. Accessere Metaphrasis Graeca. Librorum VII. De Bello Gallico. Nec Non Indices necessarii. Cantabrigiae [Cambridge], Typis Academicis Impensis Joannis Owens, 1706. Quarto. (4), 751, (5), 96 pages plus 34 pages Index. Including two folded maps (Gallia / Pompeium aer Caesarem (Mare Mediterraneum with Southern Europe and North Africa/Asia Minor) and one folded illustration: "Pontis Figura a Caesare decem diebus ad Rhenum trajiciendum effecti" / (4), 751, (5), 96 Seiten plus 34 Seiten Index mit zwei Faltkarten von Gallien und dem Mittelmeerraum sowie einer gefalteten Abbildung einer Behelfsbrücke über den Rhein. Full calf with gilt lettering on spine and emblemata of Charles-Marie-Raymond Duc d'Arenberg. Very good +/ Near Fine condition with only minor signs of wear and a faded dampstain throughout. Exlibris of "Comte Goblet d'Alville" on pastedown / Sehr guter Zustand mit nur ganz geringen Gebrauchsspuren und einem durchgehenden, dezenten Wasserrand. Mit dem Exlibris des "Compte Goblet d'Alville. Wappensupralibro des Duc d'Arenberg.

Dibdin I, 36 / Graesse II 7, 8 - One of the best Caesar - Editions.

De Bello Gallico / De Bello Alexandrino / De Bello Africano / De Bello Hispaniensi / etc.

Keywords: 18.Jahrhundert, 18th Century, Bindings, Maps, Old Maps

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750,--  Order
Callot, De Droeve Ellendigheden van den Oorlooch Callot, Jacques. De Droeve Ellendigheden van den Oorlooch seer aerdigh en konstighafgebeeldt door Jaques Callot Loreijns Edelman. [Dutch edition of Callot's most famous suite: "Les Miseres et malheurs de la guerre" (Translates: "The miseries and misfortunes of war") originally published in France in 1633]. [Amsterdam], Gerret van Schagen, [n.d., approximately 1730] Oblong - 8°. 18 original plates (including Frontispiece) with 20 interleaved, blank pages. All plates subtitled in dutch. Hardcover with label in english on front board. Callot's most famous suite, Les Misères et malheurs de la guerre (the miseries and misfortunes of war, 1633), produced following Richelieu's invasion of Lorraine during the Thirty Years War. Oblong Large Octavo. Engraved titlepage in dutch plus 17 plates after Callot by Leon Schenk, numbered 2-18, each plate with 6 lines of verse by l'abbé Michel de Marolles. Plates 3-3/4 x 7-3/4 inches, mounted on larger leaves, titled in french in manuscript-writing. Both contemporary marbled boards cleanly detached (needs repair or new binding. Inside with only minor foxing. The plates clean and fresh.

Jacques Callot was a baroque printmaker and draftsman from the Duchy of Lorraine (an independent state on the north-eastern border of France, southwestern border of Germany and overlapping the southern Netherlands). He is an important person in the development of the old master print. He made more than 1,400 etchings that chronicled the life of his period, featuring soldiers, clowns, drunkards, Gypsies, beggars, as well as court life. He also etched many religious and military images, and many prints featured extensive landscapes in their background.

His most famous prints are his two series of prints each on "the Miseries and Misfortunes of War". These are known as Les Grandes Misères de la guerre, consisting of 18 prints published during 1633, and the earlier and incomplete Les Petites Misères — referring to their sizes, large and small (though even the large set are only about 8 x 13 cm). These images show soldiers pillaging and burning their way through towns, country and convents, before being variously arrested and executed by their superiors, lynched by peasants, or surviving to live as crippled beggars. At the end the generals are rewarded by their monarch. During 1633, the year the larger set was published, Lorraine had been invaded by the French during the Thirty Years' War and Callot's artwork is still noted with Francisco Goya's Los Desastres de la Guerra (The Disasters of War), which was influenced by Callot, as among the most powerful artistic statements of the inhumanity of war. (Wikipedia)

Keywords: 18.Jahrhundert, 18th Century, Military History, Original Art, Original Etching

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1.800,--  Order
Caulfield, The Council Book of the Corporation of Cork from 1609 tp 1643 and 169 Caulfield, Richard (editor). The Council Book of the Corporation of Cork from 1609 tp 1643 and 1690 to 1800. Guildford, Surrey, Corporation of Cork, 1876. 18.5 cm x 22.5 cm. XXX, 1191 pages. Original hardcover. Good condition with some clear signs of wear and tear on external cover and page edges, some stains on page edges and some marks on pages inside.

Includes record of Mayors and Sheriffs of Cork from 1690 to 1734 / A charter to incorporate the Guild of Wholesale Merchants / An account of how the Earl of Inchiquin was presented with his freedom / The appointment of Sir James Jeffryes as Governor of Cork / Proposal for Benj Pike to prove his right to the fishery of the river.

"Richard Caulfield's The Council Book of the Corporation of Cork from 1609 to 1643 and from 1690 to 1800 are proceedings of the municipal authorities of Cork as they took place. Caulfield's work is an attempt to provide a faithful record of history rather than a romantic version.
He identified two methods of writing history. The first is to present the facts as they are and leave it to the reader to form his own impressions. The second is to present what the impressions have made on the writer's mind and present them to the reader. Caulfield intended to marry both methods together by presenting a series of samples and extracts to give a truer picture of the times. He used sources in the Library of the British Museum , the Bodlein library, Oxford , the Treasury of the Corporation of Cork and other
sources.
Richard Caulfield (1823-1887) was secretary, librarian and custodian of the Royal Cork Institution and librarian for Queen's College Cork. It is said of him that on several occasion he was chosen to referee the various sides in significant historical and theological disputes. He was acquainted with and respected by the members of the clergy, Cork city dignitaries, lecturers, professors and the student body of Queen's College who attended his funeral when he died at the age of 64." (Askaboutireland)

Keywords: 18th Century, Cork, Cork City, History, Irish History

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450,--  Order
Craig, Dublin 1660-1860. Craig, Maurice. Dublin 1660-1860. Dublin, Allen Figgis Ltd., 1980. 14.5 cm x 21 cm. XXI, 361 pages. Original softcover. Excellent condition with minor signs of external wear. Back-cover slightly dirty. Inscription by preowner.

Includes for example the following chapters: The Duke Returns / An Era of Expansion / The Municipality's Part / Alarms and Excursions / Church and State / The Intellectuals / Art and Industry / Burgh and the Gardiners / Drapier and Dublin Society / The Age of Pearce and Cassels / Social Symptoms / Public Buildings of the Mid-Century / Piety and Learning / Estates and Academic Architecture / Ivory and some Great Houses / James Gandon: the Culmination / Two Revolutoins / Francis Johnston / The End of a Tradition / Appendix I: List of Streets and Buildings / Appendix II: Additional Notes on the Restoration of the Four Courts and the Custom House / Appendix III: Some Characteristics of the Dublin House / Appendix IV: Teh Architectural Succession / Appendix V: Graph of Dublin Population.

"Craig was at the forefront of the conservation movement, and his collection of photographs from the 1940s and 1950s shows an Ireland in which a horse-and-cart was still a key mode of transport. The pictures depict parts of Dublin that are no longer there, including photographs of Gardiner Street before many of its period buildings were demolished and on Longford Street, near Aungier Street in Dublin 8, the last pair of curved ‘Dutch-billy’ gabled buildings in Dublin which were demolished in about 1960.

“In Ireland at the time you expected a large rumpus about this or that, but there was no rumpus about things that were quietly taken down. Regarding Longford Street, I put my case to the official channels and was assured that they would look after them but they didn’t. In the meantime I had taken photographs of them and made a sketch survey.”

In 1952 he wrote Dublin 1660-1860, the book that began his recording of the city’s history and its important buildings. “I wrote the book under contract. The publishers did the normal thing that publishers do if you go to them with an idea. They say: ‘Young man if you write about the following subject we will publish it.’ They wanted a book on Dublin and I am sure they thought they would get the usual stuff about snuff boxes and hoop skirts. But I was interested in architecture and researched it by keeping my eyes open and going around on my feet.”" (Irish Times)

Keywords: 18th Century, 19th Century, Architecture, Gandon, Irish History, Irish Interest, Irish Local History

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38,--  Order
de Santillana, The Development of Rationalism and Empiricism. de Santillana, Giorgio / Zilsel, Edgar. The Development of Rationalism and Empiricism. Chicago and London, The University of Chicago Press, 1970. 15 cm x 23 cm. 94 pages. Original softcover. Very good condition with some signs of wear. Partially detached title page. [Foundations of the Unity of Science: Toward an International Encyclopedia of Unified Science - Volume II. Number 8.]

Includes for example the following essays: The Crisis of the Eighteenth Century / The Formula as Transcendent / Mechanics and the Nature of Matter / Formalization of Mechanics / Atomism and Central Forces / The Fate of Scientific Rationalism / Experiment and Manual Labour / The Oppositoin of Outer and Inner World / David Hume / Religious Problems / The Social Sciences etc.

Keywords: 18th Century, Intellectual History, Philosophy, Science

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25,--  Order
Derham, Astro-Theology: or, a Demonstration of the Being and Attributes of God, Derham, William. Astro-Theology: or, a Demonstration of the Being and Attributes of God, From a Survey of the Heavens. Sixth Edition. London, W. Innys, 1731. Octavo. [16] lvi [8] 246 pages,[10] [3 foldout engravings]. Original Hardcover / bound in contemporary panelled calf. The book has been sympathetically rebacked to style. Besides a spot of hard green adhesive to the front board in very good condition. The armorial bookplate of Dr Blackett appears on the first pastedown. The text is complete and clean with the three foldout engravings of the cosmos to the rear, a little archival paper restoration to one of the engravings.

William Derham FRS (26 November 1657 – 5 April 1735) was an English clergyman, natural theologian and natural philosopher. He produced the earliest, reasonably accurate estimate of the speed of sound.

William Derham was the son of Thomas Derham. He was born at Stoulton, in Worcestershire, England. He was educated at Blockley, Gloucestershire and at Trinity College, Oxford from 1675 to 1679. He was ordained on 29 May 1681. In 1682, he became vicar of Wargrave, Berkshire and from 1689 to 1735 he was Rector at Upminster, Essex. While at Upminster, in 1716 he became a Canon of Windsor and the vestry minutes show that thereafter he divided his time between those two places. The parish registers of Upminster record his burial at St. Laurence's in 1735. However, the precise site of his grave is unknown and, in accordance with his wishes, there is no memorial to him in the church.

In 1696, he published his Artificial Clockmaker, which went through several editions. The best known of his subsequent works are Physico-Theology, published in 1713; Astro-Theology, 1714; and Christo-Theology, 1730. All three of these books are teleological arguments for the being and attributes of God, and were used by William Paley nearly a century later. However, these books also include quantities of original scientific observations. For example, Physico-Theology contains his recognition of natural variation within species and that he knew that Didelphis virginialis (the Virginia opossum) was the only marsupial in North America. Similarly, Astro-Theology includes several newly identified nebulae (this was the name used at the time for all extended astronomical objects: some of his nebulae are what we would now call star clusters). His 16-feet long telescope (also used when measuring the velocity of sound) was at the top of the tower of St Laurence's Church, where the necessary doors are still in place. On 3 February 1703, Derham was elected Fellow of the Royal Society. He was Boyle lecturer in 1711–1712. His last known work, entitled A Defence of the Church's Right in Leasehold Estates, appeared as early as 1731.
But besides the works published in his own name, Derham contributed a variety of papers to the Transactions of the Royal Society. He revised the Miscellanea Curiosa. He edited the correspondence and wrote a biography of John Ray, whose 'physico-theology' (natural theology) tradition he continued, making him an early parson-naturalist.
He edited Eleazar Albin's Natural History, and published some of the manuscripts of the scientist Robert Hooke. His meteorological observations at Upminster (in the Transactions of the Royal Society) are amongst the earliest series in England. (Wikipedia)

Keywords: 18th Century, Astrologie, Astrology

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480,--  Order
Diderot, The Nun. Diderot, Denis. The Nun. Translated and with an Introduction by Leonard Tancok. Lithographs by Charles Mozley. London, The Folio Society, 1972. 15 cm x 22.5 cm. 168 pages. With 7 illustrations. Original hardcover with gilt lettering on spine and ornaments to boards. Excellent condition with only minor signs of external wear. Spine slightly faded. Clean inside with solid binding.

"The Nun (or Memoirs of a Nun, French: La Religieuse) is an 18th-century French novel by Denis Diderot. Completed in about 1780, the work was not published until 1796, after Diderot's death.

The novel began not as a work for literary consumption, but as an elaborate practical joke aimed at luring the Marquis de Croismare, a companion of Diderot's, back to Paris. The novel consists of a series of letters purporting to be from a nun, Suzanne, who implores the Marquis to help her in renouncing her vows, and describes her intolerable life in the convent to which she has been committed against her will.

Diderot later revised the letters into a novel drawing attention both to the then-current practice of forcing young women into convents in order to get them out of the way, and the corruption that was supposedly rampant among the clergy and in religious institutions. When Diderot publicly admitted his role in the ruse, the Marquis is said to have laughed at the revelation, unsurprisingly since he had behaved with exemplary compassion and generosity in his willingness to help the imaginary Suzanne." (Wikipedia)

Keywords: 18th Century, French Literature, Novel, Novelist

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35,--  Order
[Dublin, The Corsicans/ O'Keefe, Modern Antiques/ etc. [Dublin Printing History] Kotzebue, Augustus / O'Keefe, John Esq. / Pearce, Mr. / Pilon, Frederick / Hurlstone, Thomas. Sammelband - Volume with seven (7) separate works bound together - [Early Dublin Printing]. The volume contains: I. Augustus Kotzebue - The Corsicans - A Drama, In Four Acts. Dublin, Burnside, 1799. 97 pages. / II. John O'Keefe - Modern Antiques or The Merry Mourners, A Farce in Two Acts. Dublin, Byrne, 1792. 39 pages / III. Mr. Pearce - Hartford Bridge, or The Skirts of The Camp, An Operatic Farce in Two Acts. Dublin, Byrne, 1793. 47 pages. / IV. John O'Keefe - Patrick In Prussia or Love in a Camp, a Comic Opera in Two Acts. Dublin, Perrin, 1786. 35 pages. / V. John O'Keefe - The Little Hunch-Back or A Frolic in Bagdad, a Farce in Two Acts. Dublin, Chamberlaine and others, 1790. 67 pages. / VI. Frederick Pilon - Barataria or Sancho Turn'd Governor, A Farce. Dublin, Wilkinson, Walker, White and others, 1785. 36 pages. / Thomas Hurlstone - Just In Time, A Comic Opera in Three Acts. Dublin, Wogan, Byrns, Moore, Jones and Rice, 1793. 69 pages. // Dublin, 1785-1799. 17.7 x 11cm. Pagination. The fragile volume in a world class recent Solander Box by George Bayntun, Bath (half calf with paper covered boards). Binding nearly splt at spine. Needs repair. All works inside in excellent condition. Exlibris of Richard Buxton on pastedown.

PILON, FREDERICK (1750–1788), actor and dramatist, was born in Cork in 1750. After receiving a fairly good education in his native city, he was sent to Edinburgh University to study medicine, but he took to the stage instead. He first appeared at the Edinburgh Theatre as Oroonoko, but with small success, and consequently joined an inferior strolling company, with which he remained for some years. He finally drifted to London, where Griffin the bookseller employed him on the ‘Morning Post.’ After Griffin's death had deprived him of this position, he seems to have worked as an obscure literary hack until he began to write for the stage. He was soon employed with some regularity at Covent Garden Theatre. There, on 4 Nov. 1778, ‘The Invasion, or a Trip to Brighthelmstone’—‘a moderate farce,’ according to Genest—was performed, with Lee Lewis in the chief part (Cameleon) on 4 Nov. 1778. It was repeated twenty-four times during the season, and was several times revived. ‘The Liverpool Prize’ followed at the same theatre on 22 Feb. 1779, with Quick in the chief part. ‘Illumination, or the Glazier's Conspiracy,’ a prelude, suggested by the illuminations on Admiral Keppel's acquittal, was acted on 12 April 1779 for Lee Lewis's benefit. ‘The Device, or the Deaf Doctor,’ when first produced on 27 Sept. 1779, met with great opposition, but, revived with alteration as ‘The Deaf Lover,’ on 2 Feb. 1780, it achieved some success; ‘The Siege of Gibraltar,’ a musical farce (25 April 1780), celebrated Rodney's victory; ‘The Humours of an Election,’ a farce (19 Oct. 1780), satirised electoral corruption; ‘Thelyphthora, or more Wives than One,’ a farce, satirising the work of the name by Martin Madan [q. v.], was produced on 8 March 1781, and was damned the second night; ‘Aerostation, or the Templar's Stratagem’ (29 Oct. 1784), dealt with the rage of the day for balloons; ‘Barataria, or Sancho turned Governor’ (29 March 1785), was adapted from D'Urfey. Meanwhile Pilon deserted Covent Garden for Drury Lane, where he produced, on 18 May 1782, ‘The Fair American,’ a comic opera, which was not very skilfully plagiarised from the ‘Adventures of Five Hours.’ Pilon's last piece, a comedy, ‘He would be a Soldier,’ after being rejected by Colman, was performed at Covent Garden on 18 Nov. 1786, and achieved considerable success. In 1787 Pilon married a Miss Drury of Kingston, Surrey; he died at Lambeth on 17 Jan. 1788. His pieces were clever, if of ephemeral interest.

Besides the plays mentioned, all of which he published, Pilon issued ‘The Drama,’ an anonymous poem, 1775, and ‘An Essay on the Character of Hamlet as performed by Mr. Henderson’ (anonymous), 8vo, London, 1785 ? An edition of G. A. Stevens's ‘Essay on Heads’ appeared in 1785, with additions by Pilon. (DNB - Dictionary of National Biography - Article by David James O'Donoghue)

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John O'Keeffe (June 24, 1747 – February 4, 1833) was an Irish actor and dramatist. He wrote a number of farces and amusing dramatic pieces, many of which had great success. Among these are Tony Lumpkin in Town (1778), Wild Oats (1791), Love in a Camp, and Omai (1785), an account of the voyages of the Tahitian explorer Omai.
O'Keeffe was born in Dublin in 1747 to Roman Catholic parents and was educated by the Jesuits. After showing a talent for drawing he studied art at an Academy in Dublin, but grew increasingly more interested in the theatre. After a two-year trip to London, where he became an admirer of David Garrick, he settled on a career as an actor and playwright. O'Keeffe wrote his first play The She Gallant when he was twenty, and it was performed in Dublin at the Smock Alley Theatre. In 1774 O'Keeffe was married to Mary Heaphy.
In 1777 O'Keefe moved to London. The following year he wrote Tony Lumpkin in Town a sequel to Oliver Goldsmith's She Stoops to Conquer and sent it to the manager of the Haymarket Theatre. The play was successfully produced, and O'Keefe regularly wrote for the Haymarket thereafter.
Between 1782 and 1796 O'Keefe wrote around 28 plays and comic operas. The Poor Soldier (1783), a comic opera with words and lyrics by O'Keeffe and music by William Shield, was a musical farce about the lives of British soldiers returning home after the American War of Independence. O'Keeffe also wrote The Son-in-Law, Agreeable Surprise which includes the lyrical poem Amo, Amas, and Castle of Andalusia.
O'Keefe had problems with his eyes ever since he had fallen into the River Liffey in his youth. From the mid-1770s O'Keefe increasingly lost his sight, and from 1781 his plays had to be dictated by him. In spite of this he was a prolific writer and was the most produced playwright in London in the last quarter of the 18th century. Some of his songs set to music by Arnold and Shield, such as I am a Friar of Orders Grey, and The Thorn, are still popular.
In 1800 a benefit performance was staged for him at Covent Garden. In 1826 O'Keefe wrote his memoirs which covered his life experiences and various interactions with the leading artistic figures of his day. The memoirs were dictated to his daughter Adelaide O'Keefe (1776-1865) who oversaw their publication. The same year he was awarded a pension by George IV. He died in 1833 in Southampton and was buried there. In the 19th century the essayist William Hazlitt described O'Keeffe as the "English Molière" observing "in light, careless laughter and pleasant exaggeration of the humorous, we have no equal to him". His Wild Oats has been revived in 1976, 1995 and 2012, by the Royal Shakespeare Company, the Royal National Theatre and the Bristol Old Vic respectively. (Wikipedia)
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August Friedrich Ferdinand von Kotzebue (3 May [O.S. 22 April] 1761 - 23 March [O.S. 11 March] 1819) was a German dramatist and writer who also worked as a consul in Russia and Germany.
One of Kotzebue's books was burned during the Wartburg festival in 1817. He was murdered in 1819 by Karl Ludwig Sand, a militant member of the Burschenschaften. This murder gave Metternich the pretext to issue the Carlsbad Decrees of 1819, which dissolved the Burschenschaften, cracked down on the liberal press, and seriously restricted academic freedom in the states of the German Confederation. (Wikipedia)
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Keywords: 18.Jahrhundert, 18th Century, Cork, Dublin, Irish Literature, Irish Local History, Play, Plays

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1.200,--  Order
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