||Craig, Maurice. Dublin 1660-1860. Dublin, Allen Figgis Ltd., 1980. 14.5 cm x 21 cm. XXI, 361 pages. Original softcover. Excellent condition with minor signs of external wear. Back-cover slightly dirty. Inscription by preowner.
Includes for example the following chapters: The Duke Returns / An Era of Expansion / The Municipality’s Part / Alarms and Excursions / Church and State / The Intellectuals / Art and Industry / Burgh and the Gardiners / Drapier and Dublin Society / The Age of Pearce and Cassels / Social Symptoms / Public Buildings of the Mid-Century / Piety and Learning / Estates and Academic Architecture / Ivory and some Great Houses / James Gandon: the Culmination / Two Revolutoins / Francis Johnston / The End of a Tradition / Appendix I: List of Streets and Buildings / Appendix II: Additional Notes on the Restoration of the Four Courts and the Custom House / Appendix III: Some Characteristics of the Dublin House / Appendix IV: Teh Architectural Succession / Appendix V: Graph of Dublin Population.
″Craig was at the forefront of the conservation movement, and his collection of photographs from the 1940s and 1950s shows an Ireland in which a horse-and-cart was still a key mode of transport. The pictures depict parts of Dublin that are no longer there, including photographs of Gardiner Street before many of its period buildings were demolished and on Longford Street, near Aungier Street in Dublin 8, the last pair of curved ‘Dutch-billy’ gabled buildings in Dublin which were demolished in about 1960.
“In Ireland at the time you expected a large rumpus about this or that, but there was no rumpus about things that were quietly taken down. Regarding Longford Street, I put my case to the official channels and was assured that they would look after them but they didn’t. In the meantime I had taken photographs of them and made a sketch survey.”
In 1952 he wrote Dublin 1660-1860, the book that began his recording of the city’s history and its important buildings. “I wrote the book under contract. The publishers did the normal thing that publishers do if you go to them with an idea. They say: ‘Young man if you write about the following subject we will publish it.’ They wanted a book on Dublin and I am sure they thought they would get the usual stuff about snuff boxes and hoop skirts. But I was interested in architecture and researched it by keeping my eyes open and going around on my feet.”” (Irish Times)
Keywords: 18th Century, 19th Century, Architecture, Gandon, Irish History, Irish Interest, Irish Local History
||Trollope, Mrs. Domestic Manners of the Americans. Complete in one volume. London / New York, Whittaker, Treacher & Co., 1832. 23.1cm x 13.9cm. XIV, 325 pages with four (of eight) early lithographs. Private Hardcover of the time (half cloth). Poor condition with only minor signs of external wear but dapstained throughout. Text still good. Illustrations very good –. Important, early anti-slavery publication which influenced Harriet Beecher Stowe. Exlibris / Bookplate of Dromard Library (Sligo) to front pastedown.
Includes for example the following chapters: Entance of the Mississippi – Balize/ New Orleans – Society – Creoles and Quandroons – Voyage Up the Mississippi / Servants – Society – Evening Parties / Religion / Danger of Rural Excursions – Sickness / Camp-Meeting / Small Landed Proprietors -Slavery / Literature – Extracts – Fine Arts – Education etc.
Frances Milton Trollope (10 March 1779 – 6 October 1863) was an English novelist and writer who published as Mrs. Trollope or Mrs. Frances Trollope. Her first book, Domestic Manners of the Americans (1832) has been the best known, but she also published strong social novels: an anti-slavery novel said to influence the work of the American Harriet Beecher Stowe, the first industrial novel, and two anti-Catholic novels that used a Protestant position to examine self-making.
Recent scholars note that modernist critics tended to exclude women writers such as Frances Trollope from serious consideration. Her detractors familiarly called her by the diminutive Fanny Trollope, considered slightly vulgar, and discounted her prolific production.
Her first and third sons, Thomas Adolphus and Anthony, also became writers; Anthony Trollope became respected for his social novels. Frances Trollope should not be confused with her daughter-in-law Frances Eleanor Trollope (née Ternan), the second wife of Thomas Adolphus Trollope, and also a novelist.
Born at Stapleton, Bristol, Frances Milton at the age of 30 married Thomas A. Trollope, a barrister, on 23 May 1809 at Heckfield, Hampshire. They had four sons and three daughters, and he struggled with financial misfortune.
In 1827, Frances Trollope took her family to Fanny Wright’s utopian community, Nashoba Commune, in the United States. This community soon failed, and she ended up in Cincinnati, Ohio with her sons. Although she tried to find ways to support herself, they were unsuccessful. She encouraged the sculptor Hiram Powers to do Dante Alighieri’s Commedia in waxworks. After her return to England, she began writing to support her family.
Two sons also became writers: her eldest surviving son, Thomas Adolphus Trollope, wrote mostly histories: The Girlhood of Catherine de Medici, History of Florence, What I Remember, Life of Pius IX, and some novels. Her fourth son Anthony Trollope became the better known and received novelist, establishing a strong reputation, especially for his serial novels such as those set in the fictional county of Barsetshire, and his political series known as the Palliser novels.
On her return to England, Trollope began writing and gained notice with her first book, Domestic Manners of the Americans (1832). She gave an unfavourable and, in the opinions of partisans of America, exaggerated account of the subject. She was thought to reflect the disparaging views of American society allegedly commonplace at that time among English people of the higher social classes. The book is also acerbic and witty. Her novel, The Refugee in America (1832), expressed similar views.
Next came The Abbess (1833), an anti-Catholic novel, as was Father Eustace (1847). While they borrowed from Victorian Gothic conventions, the scholar Susan Griffin notes that Trollope wrote a Protestant critique of Catholicism that also expressed “a gendered set of possibilities for self-making”, which has been little recognised by scholars. She noted that “Modernism’s lingering legacy in criticism meant overlooking a woman’s nineteenth century studies of religious controversy.″
Trollope wrote more travel works, such as Belgium and Western Germany in 1833 (1834), Paris and the Parisians in 1835 (1836), and Vienna and the Austrians (1838).
She received more attention during her lifetime for what are considered several strong novels of social protest: Jonathan Jefferson Whitlaw (1836) was the first anti-slavery novel, influencing the American Harriet Beecher Stowe’s Uncle Tom’s Cabin (1852). Michael Armstrong: Factory Boy began publication in 1840 and was the first industrial novel to be published in Britain. Other socially conscious novels included The Vicar of Wrexhill (1837 / Richard Bentley, London, 3 volumes), which took on corruption in the Church of England and evangelical circles. Possibly her greatest work is the Widow Barnaby trilogy (1839–1855). This set a pattern of sequels which her son Anthony Trollope also used in his oeuvre.
In later years Mrs. Trollope continued to write novels and books on miscellaneous subjects, writing in all over 100 volumes. She was considered to have powers of observation and a sharp and caustic wit, but her prolific production and the rise of modernist criticism caused her works to be overlooked in the twentieth century. Few of her books are now read, but her first and two others are available on Project Gutenberg.
After the death of her husband and daughter, in 1835 and 1838 respectively, Trollope relocated to Florence, Italy. One year she invited Theodosia Gallow to be her house guest and she married her son. She lived with her son and his wife. She died in 1863 and she was buried near four other members of the Trollope household in the English Cemetery of Florence.
Keywords: 19.Jahrhundert, 19th Century, American History, Anti-Slavery, Slavery, Slavery in the United States, Travel